The real annoying thing about Opus 4.6/Codex 5.3 is that it’s impossible to publicly say “Opus 4.5 (and the models that came after it) are an order of magnitude better than coding LLMs released just months before it” without sounding like an AI hype booster clickbaiting, but it’s the counterintuitive truth to my personal frustration. I have been trying to break this damn model by giving it complex tasks that would take me months to do by myself despite my coding pedigree but Opus and Codex keep doing them correctly. On Hacker News I was accused of said clickbaiting when making a similar statement with accusations of “I haven’t had success with Opus 4.5 so you must be lying.” The remedy to this skepticism is to provide more evidence in addition to greater checks and balances, but what can you do if people refuse to believe your evidence?
In this way, Scream 7 is a return to form. Between the comic relief of the Meeks-Martin twins, Lillard's irrepressible energy, and the kinetic crew of new teens (including McKenna Grace, Asa Germann, Celeste O'Connor, and Sam Rechner), there's a levity that makes this movie wildly and unapologetically fun. This frivolity contrasts all the more sharply with the intense kill scenes, making their stabs hit home all the harder. Then, the close-ups on spilled entrails and destroyed faces doesn't let us escape the impact. Each loss is sensationally scary, building tension and anticipation for vigilante justice, Final Girl style. (Go get 'em, Sid!)
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Author(s): Shin-Pon Ju, Dong-Yeh Wu, Chun-Wen Cheng, Hsing-Yin Chen。服务器推荐对此有专业解读
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Photograph: Julian Chokkattu